The Chinese character for Good fortune in stained glass. The colors seem a bit primary, but I like the idea and the linework.
Nice stuff to be found at the Sacred styles of Stained Glass at the Victoria and Albert Museum page. - good stuff like -
I have mentioned in the past how I felt the artwork of Odilon Redon would work well translated into stained glass. The other day I was thinking of this while playing in Photoshop -
the original image - a pastel by Redon called "Golden Cell", circa
with some leadline added - does make the design heavier, but to my eyes it still works well -
and here are how the leadlines would work out -